Adding to:
Bizarre shrines of temporality
one of the best examples of #desifuturism yet
(via Netizens Marvel at the Facebook-Themed Hindu Temple - DramaFever Blog)
(via heterochronia)
“Until we have seen someone’s darkness, we don’t really know who they are.
Until we have forgiven someone’s darkness, we don’t really know what love is.”
— Marianne Williamson
There’s been a lot written about the evolution of creativity. One hypothesis is that creativity comes from our need to make things special. And this relates to worship because worship allows us to identify things in order to make them special.
We know very little about the symbolic life of animals, but one of the most fascinating aspects of human beings is our great capabilities to create and interpret symbolism, as well as our ability to make abstractions concrete. In many ways, this is the genesis of creativity.
The notion of making things special and the identification of something as special or unique — and the relationship to that thing as special and unique — are the heart of worship and the heart of creativity itself.
”—
Design anthropologist Dori Tunstall connects creativity and the impulse for worship in an exploration of how branding reflects an essential part of what it means to be human. (via explore-blog)
Gotta love me some Dori Tunstall.
(Source: , via explore-blog)
Barbara Kruger’s never really talked about Supreme, the skate company who’s been ripping off her ideas and prints letter for letter, color for color, for their red-and-white logo, which you have seen, because it is everywhere.
I emailed her casually to ask her about this. And today, she got back to me, and gave a candid statement on the matter of Supreme for the first time, ever, really. By emailing me a blank email, with an attachment. Which you can see above.
This is SUCH a baller move.
dream woman with the best words
(Source: fek)
— Soundboy: How the internet influences what we wear (via new-aesthetic)
wnyc:
Take a trip inside the magical world of….The Book of Clocks. This guide sits in the control rooms at WNYC and has the standard “clocks” for each show. How long the segments are, where the breaks come, when the network hands off to the local affiliate, etc… Without this, we’d be flying blind. Also makes for great bedtime reading.
-Jody, BL Show
(via wnycradiolab)
— David Foster Wallace (via explore-blog)
(Source: , via explore-blog)
n. a kind of psychological exoskeleton that can protect you from pain and contain your anxieties, but always ends up cracking under pressure or hollowed out by time—and will keep growing back again and again, until you develop a more sophisticated emotional structure, held up by a strong and flexible spine, built less like a fortress than a cluster of treehouses.
Gorgeous vintage promotional piece for Push Pin Studios by graphic design legend Milton Glaser, creator of the famous I♥NY logo.
David Byrne on his remote collaborations with Brian Eno:
The unwritten game rules in these remote collaborations seem to be to leave the other person’s stuff alone as much as you can. Work with what you’re given; don’t try to imagine it as something other than what it is. … The fact that half the musical decision-making has already been done bypasses a lot of waffling and worrying. I didn’t have to think about what to do and what direction to take musically — the train had already left the station and my job was to see where it wanted to go.He goes on to ask:
Is writing ever NOT collaboration? Doesn’t one collaborate with oneself, in a sense? Don’t we access different aspects of ourselves, different characters and attitudes and then, when they’ve had their say, switch hats and take a more distanced and critical view — editing and structuring our other half’s outpourings? Isn’t the end product sort of the result of two sides collaborating?I like this. Collaboration as the caretaking and guidance of two parts of a moving train.
— Cheryl Strayed (via autobibliography)
(Source: partyanimalliberationfront, via saidtotheuniverse)